Cryptic Shift are a technical thrash/death group from Leeds, Yorkshire. After encountering them opening for the legendary Exodus in 2016, I was instantly won over with their aggressive, technical brand of sci-fi metal. They’ve toured and performed with bands such as Vektor, Lost Society, Mithras, Ingested, and will soon be opening for the death American metal juggernauts Suffocation in Leeds. After their monstrous 2016 EP ‘Beyond the Celestial Realms’, in April they released their new digital single ‘Cosmic Dreams’ through UKEM Records. Read on for an interview with their guitarist and vocalist Xander on death metal, sci-fi, and touring with Vektor.
I first came across Nexion at their performance at Oration Festival MMXVII in Reykjavik. A friend of mine knew them, and made me aware that they were well worth seeing. Their blistering show suggested a band with real experience on stage, despite having not yet released any recordings under the name Nexion. As it transpires, vocalist John Rood is also in Fenrismaw, while guitarist Jóhannes Smárason used to perform live with Svartidauði, and fellow guitarist Óskar Rúnarsson plays in Blood Feud. As with many of Iceland’s bands, there is cross-pollination. But Nexion‘s new music differs quite substantially from much of the black metal that has erupted from the little Island in its approach to blackened death metal. Read on for the review, as well as an interview with vocalist Josh Rood. Continue reading “Review and Interview: Nexion”
Sathamel are one of the most exciting extreme metal acts to come out of Yorkshire in years. Known for their blackened death metal and blistering live performances, Sathamel have honed their craft touring across the UK for the past several years. Their performance at Northern Extremity XI at the Fulford Arms in York was a ferocious assault and a rousing success, so I sat down with them to talk about their music, the UK’s metal scene and York. Continue reading “Interview: Sathamel on death metal, touring, and their upcoming album”
Abhorrent Decimation are a technical death metal band from London. After releasing their demo Infected Celestial Utopia in 2013, they unleashed their debut album Miasmic Mutation in 2015 to critical acclaim. Railing against religion, the band’s unreservedly brutal, surgically precise flavour of technical death metal is equal parts abrasive and catchy. The catchy riffs reel you in before the crushing grooves eviscerate and oppress. They’ve recently signed a three-album contract with Prosthetic Records, been announced to play at Bloodstock Festival, and confirmed that they have wrapped up recording on their upcoming second full-length album. In the interview that follows we discuss all these things and more. Continue reading “Interview: Abhorrent Decimation on death metal, religion, and their upcoming second album”
In the process of writing my recent review of Devouring Star‘s fantastic new EP ‘Antihedron’, I came to realise that there was a rare depth and maturity to the record, both musically and conceptually. They recently published brief explanations of some of the themes and meanings behind both their debut album ‘Through Lung and Heart’ and ‘Antihedron‘. But there are yet further depths to be explored. The band are cloaked in anonymity, however I was lucky enough to speak with JL who was kind enough to expound upon the concepts and themes at work within ‘Antihedron’, and the motivations and beliefs that inspire Devouring Star‘s music more generally. The answers shed new light on the impenetrable darkness of these records. Read on for the full interview. Continue reading “Interview: Devouring Star on Antihedron, Satanism, and Death”
That Cambridgeshire simply didn’t have any good metal bands was a sad fact I’d come to accept. When I’m not at university here in York, I live in the small cathedral-city of Ely, a short drive from the county’s namesake and hub of Cambridge. Musically, it’s an utterly desolate landscape. Friends of mine who live and study in Cambridge have confirmed as much. So when I learned that Cambridge was now the home of TERRA, an atmospheric black metal band along the lines of Wolves in the Throne Room or Ash Borer, my heart leapt. And while TERRA certainly do draw on these bands, they forge their own path on their second full-length album ‘Mors Secunda’. Continue reading “TERRA: Interview and Album Review”
Some bands take a few releases to mature, hone their technical skills, and refine their sound to a point where they sound confident in their music and carve out a niche for themselves. Other bands, like Setentia, nail it on their first attempt. Their debut full-length album (and, in fact, their very first release of any kind) ‘Darkness Transcend’ was released independently earlier this year, and reissued on the reputable Finnish label Blood Music on November 11. Though the band have been compared with Ulcerate, this does not do justice to the breadth of Setentia’s sound, which incorporates elements of progressive metal and black metal to a far greater extent. Beyond that, they have an uncanny knack for suffocating atmosphere, highly technical, brutal death metal, as well as writing songs with enough variety and unexpected surprises to stave off monotony.
Tasmanian metal band Départe’s expansive sound draws on the most powerful elements of black metal, death metal, and even post-metal. While comparisons with bands like Ulcerate and Zhrine are inevitable because of the band’s penchant for dissonant, unsettling guitarwork, Départe carves out their own sound on their debut album ‘Failure, Subside’.
Stylistically the focus is much more on the atmosphere and flow of the songs than on heaviness or riffs, and the band frequently operate at a bulky, sludgy pace.At the core of their sound is unrelentingly heavy, technical death metal – in this sense, comparisons to Ulcerate are justified. Long sections of atmospheric doom offer some respite from the heaviness of their assault, but frequently simply seem to render the atmosphere even more suffocating.
The opening section ‘Grief Echoes (Golden Scars)’ is one of my favourite on any song this year, the incredibly heavy percussion and eerie melodic guitars working creating a deeply unsettling, brutal sound. And the use of clean vocals throughout the album are a real highlight. They don’t feel like an afterthought, they feel like a really strong tool to provide some release from the utter gloom of much of the music. Used towards the end of the ‘Ashes in Bloom’ they’re a really beautiful touch. The lyrics certainly invoke imagery of despair and grief, suffering and loss, but they also evoke a sense of hope and optimism. It’s in some ways a real treat to read lyrics in such a bleak, poetic style from a musician that has clearly put some real thought into them. It’s a very human, emotionally powerful album, and one very worth experiencing for yourself.
After enjoying the album so much, I reached out to guitarist, vocalist, lyricist, and songwriter Sam Dishington to talk about Départe’s music as well as the experience of being a metal band from Tasmania. Read on for the interview!
I’ve never made any secret of the fact that I think Iceland’s metal scene is absolutely fucking stellar. Probably half of my top 10 favourite bands hail from the tiny northern island, Zhrine among them. Formerly known as Gone Postal, they underwent an incredible metamorphosis, bursting onto the scene earlier this year with their debut album “Unortheta”, a dazzling and entrancing black and death metal concoction that succeeded – in my view – on nearly every level. Having reviewed the album not too long ago, I now bring you an interview with their guitarist Nökkvi Gylfason. He’s a guitarist and one of their key creative forces in ZHRINE, as well as in Svartidauði, arguably Iceland’s breakout extreme metal band. In this interview I wanted to talk about his more recent music with ZHRINE, particularly as their album means a lot to me. I want to thank Nökkvi again for taking the time to speak to me and for giving such thoughtful answers. Continue reading “Interview: Zhrine and Svartidauði guitarist Nökkvi Gylfason”
Sorrow Plagues is a one-man atmospheric black metal/blackgaze project from the UK. Having recently reviewed the new EP ‘An Eternity of Solitude’, I wanted to talk with the man behind it to delve deeper into his music. He was kind enough to speak to me about the themes explored on the EP and more! Continue reading “Interview: Sorrow Plagues”