Abhorrent Decimation are a technical death metal band from London. After releasing their demo Infected Celestial Utopia in 2013, they unleashed their debut album Miasmic Mutation in 2015 to critical acclaim. Railing against religion, the band’s unreservedly brutal, surgically precise flavour of technical death metal is equal parts abrasive and catchy. The catchy riffs reel you in before the crushing grooves eviscerate and oppress. They’ve recently signed a three-album contract with Prosthetic Records, been announced to play at Bloodstock Festival, and confirmed that they have wrapped up recording on their upcoming second full-length album. In the interview that follows we discuss all these things and more. Continue reading “Interview: Abhorrent Decimation on death metal, religion, and their upcoming second album”
It has been nine long years since Rebirth of Nefast‘s last record, Ex Nihilio, a split album with fellow Irish black metal group Slidhr. A lot has changed since then. The black metal project’s mastermind, Irish-born Wann (aka Stephen Lockhart), has since moved to Reykjavik, Iceland and set up the Studio Emissary recording studio, founded the Oration Records label, and put on two successive and successful extreme metal festivals in the heart of Iceland’s capital. He’s been responsible for producing, mixing, and mastering some of the most exciting names in contemporary black metal: Svartidauði, Sinmara, Zhrine, Abominor, Almyrkvi, Mannveira, and Draugsól, as well as Mortuus Umbra, Dysangelium, and Slidhr. He’s also recorded and performed live with Sinmara and Slidhr. The resplendent full-length album Tabernaculum is the culmination of nine years of hard graft; of writing, recording, and producing some of the best extreme metal around, and learning and growing as a writer and a musician. Continue reading “Review: Rebirth of Nefast – “Tabernaculum””
Hailing from South Wales, Venom Prison combine death metal brutality and hardcore aggression in a way that is both completely unlike ‘deathcore’ as we’ve come to know it, and completely fucking awesome. Their debut album ‘Animus’ was released in October of last year, but it’s never too late to recommend good music. The sturdy death metal core of this band’s sound is complimented by a serious dose of hardcore punk, thus the result is perhaps comparable to what might occur if Power Trip played death metal instead of thrash. Rage permeates every layer of this record, but it’s a directed fury that knows its target. An earth-shaking statement of intent, the album art features a castrated rapist being force-fed his own genitals, and over the album’s half-hour runtime vocalist Larissa Stupar tackles religion, sexism, and humanity’s treatment of animals. Venom Prison invert death metal’s tropes, weaponising the gore and violence and turning them against oppressors. Continue reading “Review: Venom Prison – “Animus””
In the process of writing my recent review of Devouring Star‘s fantastic new EP ‘Antihedron’, I came to realise that there was a rare depth and maturity to the record, both musically and conceptually. They recently published brief explanations of some of the themes and meanings behind both their debut album ‘Through Lung and Heart’ and ‘Antihedron‘. But there are yet further depths to be explored. The band are cloaked in anonymity, however I was lucky enough to speak with JL who was kind enough to expound upon the concepts and themes at work within ‘Antihedron’, and the motivations and beliefs that inspire Devouring Star‘s music more generally. The answers shed new light on the impenetrable darkness of these records. Read on for the full interview. Continue reading “Interview: Devouring Star on Antihedron, Satanism, and Death”
The brutal death metal unleashed on Polish band Uerberos‘ debut album Tormented by Faith is as merciless as it is calculated. The technical frenzy of this piece of death metal is performed with perfect precision, aimed at the utter annihilation of all that stands in their way. Stylistically there is some overlap with their Polish brethren in Vader, but the sheer blistering aggression of their craft also reminds me of Hour of Penance, Desecravity, and Aborted at times. Guttural bellows rail against organised religion and the hypocrisy of so-called Christians: Not a new topic for death metal perhaps, but one that is particularly powerful and important for a band from the deeply Catholic nation of Poland. Their debut album Tormented By Faith is an astonishingly technical accomplishment, visceral and unforgiving, violent and grim. Continue reading “Review: Uerberos – “Tormented by Faith””
Volaða Land is the debut record from the recently-formed Icelandic group Draugsól. The band describe themselves as black metal, and by and large that’s accurate, but to my ears there’s a whole lot of death metal influence going on here as well, with a prominent low-end sound, heavy palm-muted guitar riffs, and guttural vocals. In some ways the texture of influences on this album almost reminds me of a way heavier, more death metal-influenced Enslaved. The tremolo-picked guitar passages and aggressive percussion are here as well of course, but Draugsól venture well beyond these conventional genre boundaries. The songs are constructed around powerful melodies, rhythms and motifs, with some incredibly tasteful, understated guitar solos and jazzy, varied percussion. Continue reading “Review: Draugsól – “Volaða Land””
Devouring Star’s new EP ‘Antihedron’ is the sound of worlds collapsing in on themselves, a black hole devouring a solar system. Antihedron describes “negative planes and shapes”, and discusses the three central concepts of birth, existence, and death. Each song serves to highlight a separate facet of the human experience, as beings whose experience extends across each plane of existence. The crushing, abrasive weight of Devouring Star‘s sound serves as the perfect vessel for the cold, malicious Satanic energies they channel through their music. Antihedron is Devouring Star‘s finest moment to date, and a forceful reminder of the power a record can wield when the music is given purpose through its message. Read on for the review.
Martröð is the collaborative project of an international group of musicians united by their shared musical and ideological goals. Featuring Wrest (of Leviathan), D.G. (of Misþyrming), Alex Poole (of Krieg), and others, their pedigree is impressive, but their music ought to stand by itself, and with such an incredible line-up it’s only natural that expectations are high. Thankfully, those expectations have been met, and Martröð really have crafted a very special release with ‘Transformation of Wounds’.
It’s always a morbid treat when the Spanish black/death metal masters in Teitanblood release new music. And today marks the release of their new EP ‘Accursed Skin’ on vinyl and digital formats through Norma Evangelium Diaboli. Continue reading “Teitanblood release new EP ‘Accursed Skin’”
Some bands take a few releases to mature, hone their technical skills, and refine their sound to a point where they sound confident in their music and carve out a niche for themselves. Other bands, like Setentia, nail it on their first attempt. Their debut full-length album (and, in fact, their very first release of any kind) ‘Darkness Transcend’ was released independently earlier this year, and reissued on the reputable Finnish label Blood Music on November 11. Though the band have been compared with Ulcerate, this does not do justice to the breadth of Setentia’s sound, which incorporates elements of progressive metal and black metal to a far greater extent. Beyond that, they have an uncanny knack for suffocating atmosphere, highly technical, brutal death metal, as well as writing songs with enough variety and unexpected surprises to stave off monotony.