Putting aside much of what happened politically in 2016, this has been one of the best years in recent memory for metal. There were many, many albums I loved this year, far too many to squeeze into an end-of-year list. So I have limited myself to picking my ten favourite albums, as well as five ‘runners up’. And by imposing this particular format on myself I had to think quite carefully about my choices and what it is that makes that particular album stand out to me. And really what it comes down to, most of the time, is whether an album moves me. If an album inspires some sort of reaction from me on an emotional level – whether that’s in an emotionally resonant song or idea, or by crafting such a rich and powerful atmosphere that the listener is transported away from their everyday life – that’s what really makes an album stand out to me. So there were many albums which I enjoyed but which you won’t find on this list precisely because, even though they might have some great riffs or something else, if I didn’t connect with it then it’s not something that’s going to figure into my list of the best metal albums of the year.
In the last few months I’ve been fascinated by the Icelandic metal scene. Musically it seems to take what Norway and Sweden are doing with death and black metal but somehow make it even darker and, in many cases, stranger. A good example of this would be Wormlust who take atmospheric black metal and infuse it with psychedelic craziness. Naðra take a slightly more conventional approach to black metal but emphasise a sense of technicality and speed. Eitur is their first release, and was released on April 1 of this year digitally and on a limited number of tapes. There are two songs on this EP, the first of which (‘Fjallið’) is four minutes but the second (‘Falið’) is 13 minutes long, so there’s actually a good 18 minutes of music on this demo tape. Continue reading “Review: Naðra – “Eitur””