Tasmanian metal band Départe’s expansive sound draws on the most powerful elements of black metal, death metal, and even post-metal. While comparisons with bands like Ulcerate and Zhrine are inevitable because of the band’s penchant for dissonant, unsettling guitarwork, Départe carves out their own sound on their debut album ‘Failure, Subside’.
Stylistically the focus is much more on the atmosphere and flow of the songs than on heaviness or riffs, and the band frequently operate at a bulky, sludgy pace.At the core of their sound is unrelentingly heavy, technical death metal – in this sense, comparisons to Ulcerate are justified. Long sections of atmospheric doom offer some respite from the heaviness of their assault, but frequently simply seem to render the atmosphere even more suffocating.
The opening section ‘Grief Echoes (Golden Scars)’ is one of my favourite on any song this year, the incredibly heavy percussion and eerie melodic guitars working creating a deeply unsettling, brutal sound. And the use of clean vocals throughout the album are a real highlight. They don’t feel like an afterthought, they feel like a really strong tool to provide some release from the utter gloom of much of the music. Used towards the end of the ‘Ashes in Bloom’ they’re a really beautiful touch. The lyrics certainly invoke imagery of despair and grief, suffering and loss, but they also evoke a sense of hope and optimism. It’s in some ways a real treat to read lyrics in such a bleak, poetic style from a musician that has clearly put some real thought into them. It’s a very human, emotionally powerful album, and one very worth experiencing for yourself.
After enjoying the album so much, I reached out to guitarist, vocalist, lyricist, and songwriter Sam Dishington to talk about Départe’s music as well as the experience of being a metal band from Tasmania. Read on for the interview!