That Cambridgeshire simply didn’t have any good metal bands was a sad fact I’d come to accept. When I’m not at university here in York, I live in the small cathedral-city of Ely, a short drive from the county’s namesake and hub of Cambridge. Musically, it’s an utterly desolate landscape. Friends of mine who live
It’s always a morbid treat when the Spanish black/death metal masters in Teitanblood release new music. And today marks the release of their new EP ‘Accursed Skin’ on vinyl and digital formats through Norma Evangelium Diaboli.
Some bands take a few releases to mature, hone their technical skills, and refine their sound to a point where they sound confident in their music and carve out a niche for themselves. Other bands, like Setentia, nail it on their first attempt. Their debut full-length album (and, in fact, their very first release of
English melodic black metal group Angmaer have just released a brand new single from their upcoming second full-length album, due to be released in 2017.
Bölzer’s debut full-length album ‘Hero’ is finally here. It’s a testament to the quality of their music that they have succeeded in setting the metal underground on fire with less than an hour’s musical material to their name. Because Bölzer has set such a high standard with their music so far, and the media buzz around
Tasmanian metal band Départe’s expansive sound draws on the most powerful elements of black metal, death metal, and even post-metal. While comparisons with bands like Ulcerate and Zhrine are inevitable because of the band’s penchant for dissonant, unsettling guitarwork, Départe carves out their own sound on their debut album ‘Failure, Subside’. Stylistically the focus is much
Ulcerate‘s brand of technical death metal is compelling precisely because it challenges so many of the established tropes that have emerged in the genre over the last decade. This New Zealand group are certainly incredibly gifted musicians, and the technicality and complexity of their music more than proves this. But more than this, Ulcerate understand
French blackgaze pioneers Alcest return with their fifth full-length album Kodama, a dark, ethereal, emotionally resonant concept album about the conflict between man and nature. Kodama channels shoegaze, post-punk, and black metal to incredible effect on one of the best albums this year.
I’ve never made any secret of the fact that I think Iceland’s metal scene is absolutely fucking stellar. Probably half of my top 10 favourite bands hail from the tiny northern island, Zhrine among them. Formerly known as Gone Postal, they underwent an incredible metamorphosis, bursting onto the scene earlier this year with their debut
Over the past few years, Iceland’s metal scene has exploded in popularity. This year has seen Svartidauði perform in the United States and support Primordial on a tour across Europe, while Misþyrming performed as an Artist In Residence at the legendary Roadburn festival after just one album to their name. Zhrine seem set to continue